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Till the sea faded
直到海水消逝Geologically, Places where take up only small parts of the continental margin or oceanic crust called The Sea. The sea always coexists with the land. They interact with and rely on each other.The junction between land and see forms unique landscape in the perennial collision with the sea and under the erosion by various external forces, formed this unique landscape. The junction always comes with confrontation and balance, which creates a perfect natural balance.
Land is regarded as a carrier for materialization and carved into shapes in this collision. The carving process is so long that it has become relatively static in human’s perception. Staring at this place is like staring at still time itself. This interaction continues nearly forever until the seawater disappears.
The author tries to portray a confrontational and balanced relationship between rivers, lakes, sea and the land between the images. The images are strung together by the sea level and unfolded in the horizontal space between left and right; through the various sections of the space where different rivers and land meet, they are constructed into an imaginary new landscape that does not exist.
在地质上来说，大陆边缘或者大洋地壳只占小部分的地方称之为海。海总是和陆地共同出现。互相作用，互相依赖。陆海交接处，在常年与海的碰撞以及各种外力的侵蚀下，形成了独有的空间景观。交界处充斥着对抗与平衡，是一种近乎完美的自然平衡。
陆地被作为具现化的载体，在这种碰撞之中被雕刻成型。这种雕刻，因为过于漫长，在人类感受时间的速度上相对静止。凝望此处，就犹如凝望静止的时间本身。这种相互作用会无限的延续下去，直到海水消逝。
作者试图在图像之间描绘出江河湖海与陆地之间的对峙且平衡的关系。画面以海平面为线索串联，在左右横向的空间中展开；通过不同河流与陆地交汇空间的各个剖面，构筑成了不存在的空想新景观。